What a world
An infinite generative poem. Written with code based on a tutorial by Alicia Guo and reference material by Daniel Howe. Language generation is handled by RiTa, a tool for making art with words and stories on the internet.
2024
I'm a maker of things made of words (poems, essays), pixels (photography, code, net art) and the collective making of meaning (resources and gatherings). This is a selection of my work from the last 11 years.
An infinite generative poem. Written with code based on a tutorial by Alicia Guo and reference material by Daniel Howe. Language generation is handled by RiTa, a tool for making art with words and stories on the internet.
2024


Travel photography accompanies fleeting, unshakeable thoughts. Part newsletter, part fertile testing ground for new ideas.
2024 – Present
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Edited and translated an interview between Nicoletta De Santoli and Domenico De Leo.
2023
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Fleeting, often contradictory thoughts about domestic space captured through photos, text, sound and interactive elements.
2021
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An online exhibition and accompanying catalogue focusing on the ways in which emerging artists and curators have been affected by the increasingly dystopian internet culture of the last decade.
2020
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A ZIP-compressed exhibition exploring fears, desires, and obstacles artists face in times of crisis and isolation. Featured works cross-referenced mythology, pop culture, the supernatural, and digital selfhood. Curated by Magda Żołędź (of ONE Project) and I, the exhibition opened with an online event featuring artwork walk-throughs, studio visits, and Q&As.
2020
Read the exhibition essay


Can re-framing social media content as a stream of consciousness tell the story of how it came to be? Three Years contains all my tweets from April 2016 to February 2019 – more than a thousand entries.
2019
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Co-curated with David Waterworth, this exhibition showcased the work of four University of Greenwich graduates: John Joseph Watters, Grace Diggens, Marilia Lezou and Rhiannon Ashley. Each of them working in an interdisciplinary field, doing their bit to make a positive impact on our environment and our community.
2019
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A semi-autonomous program that generated and tweeted 500+ exhibition titles for fictional art exhibitions, from the hilarious to the grotesque. It tweeted daily for two years between 2018 – 2021.
2018

Interactive web-work based on a story by Clemens Meyer. The site guides you through narrative extracts, accompanied by corrupted sketches, a forklift spun in space, and a soundtrack I composed.
2018
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Captured shots of concerts in Liverpool and the Merseyside area. My gig photography portfolio includes Nas, Idles, Real Estates, Tom Grennan, Nathan Fake, and Stealing Sheep.
2017
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Made, released and performed music under my own name and the aliases Mountain King and Young Offices. Played in cover bands, dj'd and performed my own music at informal gigs in Italy and England.
2015
Listen on Bandcamp